"Jet" is the title of the film. An overhead view of a man looking through the front windshield of an automobile opens the movie. An vehicle accelerates up a hill in the distance. As the man pulls a pistol to his side, the camera moves to the side of his head, exposing his intention to commit suicide. At that moment, a little girl bounces down the street, and the man grabs the daughter, puts the gun in the van, and drives up, leaving him unsure of what to do. After cutting to a scene of a man warily crossing a forest line to check where the car had disappeared, the action shifts to the man running through the trees in the direction of the house.He hides behind the car, stays in the bush, and runs across the front yard in time to see a man approach and take the girl out. The man rounds a corner, encounters two more individuals, and murders them both. The man then discovers the girl perched on a stool, while the title card plays. The use of narration, camera angles, and noises i...
These storyboards show the layout of our short film. Each scene is prominent to the story in its own way. The photos provided help show how each scene should relatively look by the finished product. This short film is called “The Mysterious Killings of Glennwood”.
How do your products represent social groups or issues? Our short film delves into the complex and often overlooked issue of trust within social groups. The two detectives at the center of the story represent a typical social group – they are partners who rely on each other to solve crimes and uphold justice. However, as the plot unfolds, it becomes evident that there is a dark undercurrent of deception and betrayal lurking beneath the surface. The revelation that one of the detectives is actually the serial killer not only shatters the trust between the two individuals, but also raises questions about the nature of social groups in general. How well do we truly know the people we work with or spend time with on a daily basis? Are we blinded by our assumptions and biases, preventing us from seeing the truth that may be right in front of us? The film forces viewers to confront these uncomfortable questions and challenges them to reevaluate their own social circles and relationships...
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